Spring 2004, New York Metropolitan Museum of Art




Online: Vanities: The History of


The Dressing Table







Armand-Albert Rateau (French, 1882–1938)


Dressing table, ca. 1925


Bronze, basalt, and mirror glass


551⁄2 x 311⁄2 x 155⁄8in









For this Rateau dressing table


antiquity was again the inspiration,


in this case Pompeii, although the bird motif


(visible at center, below the mirror) may derive


from Persian miniature painting. Rateau made more


than one version of the table. The first, from 1921,


was intended for the Palacio de Liria,


the Duchess of Alba’s home


in Madrid. The designer exhibited yet another model


in the aptly named


Pavillon de l’Élégance at the 1925 exposition.









Seddon, sons and Shackleton (London, 1793–1800)


Dressing table, ca. 1790–95


Mahogany, glass, and ivory


58 x 323⁄4 x 16in





During the second half of the eighteenth century dressing


tables became more varied to include a number of


specialized forms for men, such as the shaving stand...


This example by Seddon, Sons and Shackleton,


the foremost furniture makers of their time,


is in the British Sheraton style, pop-ular in the


1790s and early 1800s. Based on the


French Louis XVI style,


Sheraton furniture is generally characterized by


graceful, rectilinear forms ornamented with refined


Neoclassical motifs in contrasting veneer wood inlays,


especially satinwood, as well as dainty painted


flowers and other themes. The stand contains four


fitted wood boxes for the storage of shaving supplies


and other implements. Within a semicircular glazed


compartment the maker’s proud name has been inlaid


in veneered woods.